Wednesday, January 31, 2007

ORIGINAL ENTRY: Wednesday, December 31, 1986

Went to Bernsohn's alone, got cured for a moment, walked downtown (phone $2, newspapers $2). Paige was upset there were no good-looking boys coming along on our New Year's Eve party, and her excuse is always that we need to find somebody for Tama, but she wants to meet them, too. I don't know why Paige has us doing all this for Tama--"We have to find Tama a boyfriend." Why? I mean, everybody in town needs a boyfriend. The whole world needs a boyfriend anyway, so Stephen Sprouse was coming. Poor Stephen, they're even after him, I think, and he's scared.

Worked till 7:45. The ballet kids came down and I took their pictures. It's so funny that when you look really close you see that Heather Watts actually has a sort of deformed body--and she's being even bigger, but her eyes are really beautiful. They're like gorgeous move-star eyes, the kind with the dark circle around the blue.

So Steven Greenberg was giving her New Year's Eve party at the River Cafe in Brooklyn. It was black tie and I was just in my crummy scarf. We left at 11:55 and we rode over the Brooklyn Bridge and that was the most fun part of the night with Paige telling Harold the driver to honk his horn louder and Paige was doing her piercing whistle that comes from her throat and as we came over the bridge, the fireworks were going. And then Tama came in the other car and she told us that Steven and Elizabeth Ray had just had a fight, and so later I said to Steven, "So have you had a fight with Elizabeth yet?" and he said (laughs), "No no, not yet, not yet."

And then we went to Scott Asen's house in Turtle Bay and there wasn't much happening there. Peter Martins was using the phone in the toilet and his son was just leaving--he's beautiful, he dances. And Sirio from Le Cirque was there, and we took him down to Nell's with us and he was fun. Nell took her clothes sort of off and threw herself on the table for a photograph and I told Sirio that he had to do that, too, if he wanted to make Le Cirque the really "in" place. he said his wife and kids were away so he was just on his own this New year's. He invited us for dinner on Sunday.

Paige and Tama went on to the Tunnel, we dropped them there, and then got home around 4:00, walked the dogs, and it threw my whole day off, it was so stupid to stay out late just because it was New year's.

ORIGINAL ENTRY: Thursday, December 25, 1986

I got up early and walked to Paige's and she and Stephen Sprouse and I went to Church of the Heavenly Rest to pass out Interviews and feed the poor. It wasn't as crowded as it was at Thanksgiving. Afterwards Stephen and I walked down the street, and I had told John Reinhold we'd come by and he could take us to tea and he did, at the Carlyle, and that was sort of, I don't know, young guys waiting for their grandmothers to die. Stephen dropped me. Got a lot of calls to go to Christmas parties but I just decided to stay in and I loved it.

ORIGINAL ENTRY: Sunday, December 7, 1986

Stuart said he'd take me to the Liz Taylor night at his art school. Joseph Papp had rented the building for the night--it was the Creo Society organizing a benefit for AIDS. Stuart thought it was black tie and then he was the only one in black tie so he looked like a waiter. There was an hour of cocktails first at Papp's place next door in the Public Theater, and then they put up a plastic sidewalk for the people to get to Stuart's school, and they had it done up so beautifully with flowers and food. I told Stuart to just look at what his dump could really look like. And the first people I saw were Anne Bass and Peter Martins and Jock Soto. And I stiffened because I'd eaten so much garlic and I didn't want to breathe on anybody.

Leonard Bernstein was there, and he cried. He always cries. He's such a weirdo. The Hamlisch guy played, and Eileen Farrell was singing and Marilyn Horne and Linda Ronstadt and a guy sang "Ave Maria" in be-bop or rap or rock and roll and it was like an Ed Sullivan Show. And there were no speeches because Liz Taylor didn't show up. A New York Times reporter asked me what I thought of the performance and I said why didn't these stars do this show on Broadway because most of them were out of work--that since there's no more Ed Sullivan we don't ever see them all anymore. And then Papp came over and he said oh no, these people are much too big to work on Broadway, that they just got together for this one special night. And I mean, how can you be "big" if you're not working?

And then Bernadette Peters was there with her tits hanging out of her dress and I had already said hello but Stuart wanted to meet her, he insisted, and so I interrupted her and he started talking and then his violining fingers started moving all over her and as much happened as she'd let happen. And Stuart's standing there with so much tension, he said to her, "Can I give you a ride?" and she said, "No, thanks, darling. I have my own car."

ORIGINAL ENTRY: Saturday, November 29, 1986

Fred called and said we had a lunch with Hans Meyer and the Mercedes-Benz guy at Harry Cipriani's bar. And the guy was handsome and lunch was fun. I think I'll try (laughs) to get a car and driver out of them, to get the "feel" for the paintings. I'm painting old Mercedeses for them.

Then Katy Ford and her husband Andre Balazs took me to the Miss Olympia contest at the Felt Forum, and afterwards we went to Tommy Tang's down on Duane Street. It was fun. Richard Johnson of Page Six was with us and he said that when he was working at the newsroom of the Post he got a phone call and it was Timothy Hutton saying, "Hello, this is Timothy Hutton. Did anyone there call me?" And Richard asked around ane everybody said no. And then Timothy Hutton asked, "Well did anyone call Madonna?" I guess she was with him. You know how these things are, you get a message with a number. And they said no. And so then he said, "Well where is it that I'm calling?" And they said, "The New York Post." And since we've got you on the phone, what are you doing with Madonna? And he hung up fast.